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The Undaunted Professor Harp

Contact:
profharp@comcast.net
or profharp@aol.com


P.O. Box 823
Brockton, MA 02303


508-583-2582

Music Review:
September, 2006
by Kevin McCarthy

Readers of The Blues Audience are well aware that there is a seemingly end-less supply of musical talent bordering on legend in the New England area. As Jerry Portnoy once remarked "It must be something in the water." Just when you think you've seen it all, a new guitarist or new band comes along or you may encounter a band, that's been around for a long time, that you just have not seen before. To avoid being musically ignorant and negligent it is important to seek out as many bands as possible.

First I need to mention that I am in the musically ignorant category. Professor Harp is a familiar name and long standing favorite among many area Blues fans; however I only saw the Professor for the first time at Mulligan’s Blues House in Brockton, MA this past spring. By the way Mulligan’s is a nice place and very accessible from Boston and Providence.

For those few who have not experienced Professor Harp, a brief description is in order. The Professor is in a word a powerhouse. His singing and harmonica playing are unique while being deeply rooted with earlier Blues masters such as Muddy Waters, Little Walter, George Smith et al. As the old adage goes "All great artists are profoundly influenced by great artists." That's just the way it is.

Do you ever get a hankering for Jimmy Reed style blues with the thick, tonal harp that will make the hair stand up on your head and your face all tight? Professor Harp is your man. At


Mulligan's, Professor Harp and his excel-lent band consisting of just bass, drums and guitar intermixed authentic blues with sweet, original soul and gulf coast rock. In addition, the Professor has developed a completely unique tone on the harp (I don't know how he does it) where the harp sounds just like an organ- a true mouth organ.

If you haven't seen Professor Harp in a while you owe it to yourself to get out and catch up with what you have been missing.

— Kevin McCarthy is a reader and subscriber to The Blues Audience

www.bluesaudience.com — This article Copyright © The Blues Audience.



Hugh Holmes, The Undaunted Professor HarpProfessor Harp Biography

Although born and raised as Hugh Holmes of Boston, Mass., the emanations from his harmonica and vocals make it clear that Professor Harp has the blues of Texas and the whole wide Delta coursing through his veins.

The Professor was a rock 'n' roll drummer until '69, when the Boston blues revival and a sterling performance he caught of blues harmonica great George Allen 'Harmonica' Smith, combined to lure him away from drums and into a full court press on the blues harp. "Undaunted!" he brags, by the vicissitudes of his life as blues man, front man, every kind of man, Professor Harp puts forth his commanding presence and exceptional talent, night after night.

Primarily playing a sparse, yet full-sounding brand of no-nonsense, no-frills Texas style blues, Professor Harp specializes in what he calls, 'roots music'. "It's whatever makes me feel good and moves me, so to speak." Indeed it has evolved while continuing to move audiences for decades.

Under the influence of many diverse blues greats, Professor Harp has developed a robust playing style. He often utilizes the Leslie rotating-speaker sound system to give his harp a Hammond organ timbre, while he alternately and simultaneously employs the standard or traditional 'electrified' blues harp. The Professor tops this off by singing the blues with an infectious fervor, supported at his strictest insistence by only top-flight musicians on guitar, bass, and drums.

Professor Harp performed with various bands throughout the Northeast including legends Solomon Burke and Luther 'Guitar Jr.' Johnson and played live on NBC's Today Show. Among the legions of hot performances at rocking blues clubs, the memories that often stand out for The Professor are the nights his harp helped to swell the room, in a spontaneous jam with his old mentor, the inimitable bluesman Muddy Waters.

Muddy Waters and Professor HarpIt was the spring of '75 when a friend first introduced Hugh to Muddy Waters. Following his friend backstage at Boston's Paul's Mall, he found Muddy immersed in a game of Casino with bassist Calvin Jones. Muddy was unresponsive when it was suggested that Hughie Holmes should sit in on a few numbers. Holmes and his friend backed off.

Yet, halfway through his show Muddy stopped and asked where that harp player was. The Professor was ready. Overcoming the sudden burning in his ears, Harp climbed on stage and miraculously grabbed exactly the right harmonica from his disorganized bag of harps. As usual he took the time to grease it up with Vaseline, and still jumped in without slowing down the show for a moment. From that day on Harp had a standing invitation to join in whenever Muddy took the stage.

Harp says every show with Muddy was a learning experience and he cites Muddy as his greatest teacher. Muddy, in turn, called Hugh the professional of the Harp. Solomon Burke called him Professor Harmonica Holmes. After two greats anointed him with sobriquets, Hugh Holmes decided it was time to split the difference and became Professor Harp.

Music Review:
June 5, 2006
Bluez Newz

Friday, June 2nd. The Undaunted Professor Harp blew into York Beach and the INN on the Blues on Friday night, to a welcoming INN-crowd.

Harp ("you can call me Harp, you can call me Professor, you can call me Professor Harp") is a gifted blues artist, on harmonica (conventional and chromatic harps are his weapons of choice), and as a vocalist; and he makes the most of his time on stage. It always amazes Lady K that Harp can play a teensy little harp and what we hear is the music of a big old Hammond organ.

Hugh Holmes got his stage name from two legends in blues history. It's a combination of nicknames (from Muddy Waters, who called him the 'Professional of the Harp'; and from Solomon Burke who christened Harp 'Professor Harmonica Holmes'). And it's an appropriate name - Professor Harp always has something to teach INN-crowders about the blues.

When Harp is performing, you can hear the Muddy influence ("Don't Go No Further"), but his visits are always a hearty blend of Texas and Delta Blues, with a touch of rock, soul and R&B thrown in for good measure. Noted tunes included "You Left the Water Running", "Three-time Loser" and "My, My, I Love You So".

Friday night Harp's band included Tom Williams on lead guitar and vocals; Jody Bregler on drums and Bruce Thomas on bass. While Harp, rightfully, grabs most of the attention on stage, the band had a chance to show their stuff after the break, and before Harp took the stage; they impressed INN-crowders as much as their leader always does.

Harp says he is getting ready to go into the studio and produce a CD - his fans are ready to hear it.

Professor Harp will return to the INN on the Blues in September. We'll be waiting.

Lady K

September 10, 2001

Music Review:
Professor Harp's group is best yet
By JAY N. MILLER Excerpts from The Patriot Ledger

The good Professor and his quartet were in top form Saturday, keeping an enthusiastic weekend crowd at Ricky T's moving and grooving throughout a 90-minute late set that included r&b, roots rock, funk and updated Chicago blues. The current Professor Harp band is made up of a trio of talented Rhode Island veterans, including James Montgomery band/Young Neal band alumnus Ted Stevens on guitar, bassist Dick Souza and drummer Steve Wennerberg.

But the focal point, as always, is the room-filling harmonica mastery of Holmes himself, who effortlessly shifts from the conventional harmonica to the more complex chromatic version. Holmes has the ability to play chords on the instrument in a manner that crafts sheets of sound, and then contrast it with delicate melody lines, rhythmic forays and frequent use of undertones. Holmes' baritone vocals are in the style of rougher r&b singers like Wilson Pickett or even Muddy Waters, but his uninhibited whoops, shouts and hollers give the music an immediate visceral impact.

This is the best band we've ever seen Holmes front, from Stevens' rock-edged but tasteful guitar lines to Souza's impeccably funky bass to Wennerberg's inventive, often syncopated drums. There are plenty of blues bands working the local circuit, but this one is surely unique.

The Undaunted Professor Harp
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The Undaunted Professor Harp
web site:  www.professorharp.com

Email:
profharp@comcast.net
or profharp@aol.com

telephone:  508-583-2582
P.O. Box 823, Brockton, MA 02303